The Sapphic Classic That Never Was: On EVEN COWGIRLS GET THE BLUES
EVEN COWGIRLS GETS THE BLUES is a revelatory misfire; a fleeting queer fever dream hampered by the scattered potential of Gus Van Sant’s failed expedition. It stands as the sapphic successor to MY OWN PRIVATE IDAHO as well as a proverbial passing of the torch from the late River Phoenix to his sister, Rain, in […]
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